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David Clayton-Thomas, lead singer of Blood, Sweat & Tears, dies at 84

David Clayton-Thomas, the lead singer of Blood, Sweat & Tears, has died at 84.

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David Clayton-Thomas, lead singer of Blood, Sweat & Tears, dies at 84

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David Clayton-Thomas, the lead singer of Blood, Sweat & Tears whose husky, high-strung tenor on “Spinning Wheel,” “When I Die” and other hits helped make the so-called “brass rock” band among the most popular acts of the late 1960s, has died at age 84.

Spokesperson Eric Alper said that Clayton-Thomas died “peacefully” Wednesday at St. Michael’s Hospital in Toronto. Alper did not cite a specific cause.

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Clayton-Thomas was a one-time street fighter and petty thief from Canada who briefly became a rock superstar, the front man of a nine-member group that sold millions of records and won two Grammys for “Blood, Sweat & Tears,” which beat out the Beatles’ “Abbey Road” for best album of 1969. Calling out amid a jazzy parade of horns, keyboards and percussion, Clayton-Thomas’ urgent shout was a signature voice of the era, preaching love on the Motown cover “You’ve Made Me So Very Happy,” a lasting legacy on Laura Nyro’s “And When I Die” and a cool head on his own “Spinning Wheel.” Meanwhile, Blood, Sweat & Tears helped inspire a wave of horn-led bands, among them Chicago, the Electric Flag and Ten Wheel Drive.

“A lot of the guys (in Blood, Sweat & Tears) would play a Broadway show matinee, then go up to Harlem and play Latin music or R&B and funk at night, or come down to the Village and play pure jazz the next night,” Clayton-Thomas told bestclassicbands.com in 2023. “I was just a blues player: give me three chords and I’ve got a song.”

At its peak, Blood, Sweat & Tears’ appeal was so broad it helped lead to the band’s downfall.

Canadian musician, singer and songwriter, David Clayton-Thomas of jazz-rock group, Blood, Sweat & Tears, 17th March 1975.

Hip enough to perform at the 1969 Woodstock festival, where they were among the highest-paid acts, they also were known enough to the establishment to tour Eastern Europe the following year on behalf of the State Department. When Clayton-Thomas and other band members denounced the Communist regimes on the other side of the Cold War, Rolling Stone’s David Felton wrote that “the State Department got its money worth.”

The band had practical reasons for going along with the government: Clayton-Thomas, who had allegedly wielded a gun at his girlfriend, had been denied a green card and faced deportation. But after topping the charts in 1970 with the album “Blood, Sweat & Tears 3,” their appeal soon faded. A burned-out Clayton-Thomas left the group in 1972, and neither he nor the remaining musicians ever regained their old stature. Blood, Sweat & Tears would continue recording over the next few years, and even briefly reunited with Clayton-Thomas, who went on to release more than a dozen solo albums and tour on his own for decades.

Clayton-Thomas was inducted into the Canadian Music Hall of Fame in 1996. “Spinning Wheel,” covered by everyone from James Brown to TV star Barbara Eden, was voted into the Canadian Songwriters Hall of Fame a decade later.

Up from the streets

Born David Henry Thomsett in Surrey, England, and raised near Toronto and Ottawa, he was the son of a Canadian World War II veteran and a pianist-entertainer who helped inspire his interest in music. He fought violently with his father, was living in the streets by his mid-teens and by age 20 was serving time in a reformatory for vagrancy, assault and other crimes.

An old guitar, left behind by a fellow inmate, changed his life. He taught himself to play and began spending extensive time in the early 1960s around Toronto’s Yonge Street music “strip,” where peers included the American rockabilly star Ronnie Hawkins, a mentor to Robbie Robertson and other future members of the Band and a guide for Thomsett early in his career.

Anxious to reinvent himself, he changed his last name to Clayton-Thomas while leading his own groups. In the mid-60s, he released such albums as “Sings Like It Is” and had a hit single with the anti-war rocker “Brainwashed.” He would also befriend a rising star, Joni Mitchell, whose childlike “Circle Game” helped inspire “Spinning Wheel,” and the venerable John Lee Hooker, who would indirectly contribute to Clayton-Thomas’ breakthrough in the U.S.

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